Kate priced out the original art and the broadsides (each broadside is $15). As a brief recap: we did a press run of 60 (plus 7 test prints) and divided the run in half. I had 30 when we finished printing. On my return trip to Nebraska I sold 5 before leaving Illinois, and then sold an additional 5 in Iowa. This left me with 20. This week, I sold 8 more to leave me with 12. If you want a print, let me know. They’re selling quick! If you’re local, I’ll bike or drive them to your door.

We posted videos of our process on YouTube.

I also blogged about it a few times.

Aren’t they lovely!

I think they’re so cute!

I’m just so tickled that I had the opportunity to do this at the Prairie Center of the Arts this summer. And so excited that I’ve already sold 18. They’re not even a month old yet. Wow!

In other news in brief, I have a poem in the current issue of Pebble Lake Review.

And, this fall I will be giving three readings, one in Omaha in October and two in St. Louis in November. Here they are:

Reading (poetry) at European Studies Conference
3:30-4:45, Friday, October 7, 2011
Dodge Room A, Milo Bail Student Center
UNO, Omaha, NE

Reading (poetry) at MMLA
12-1:30, Friday, November 4, 2011
St. Louis, Missouri

Reading (prose) at MMLA
8:30-10, Sunday, November 6, 2011
St. Louis, Missouri

Maybe I’ll see you there.

Finally, the semester has begun. I have great students who promise to be a lot of fun this term. I can’t wait to see what writing will be produced.

During my six-week writing residency at the Prairie Center of the Arts, I collaborated with artist Kate Johnson to create a limited edition series of broadsides that combine poetry and graphic art. Here’s a brief clip from the collaboration when we were signing the prints.

Kate and I printed 60, plus 7 that were mistakes or imperfect due to color, pixelation, or centering. Kate and I divided the press run in half. All the accidental prints were given away as gifts to very small boys under the age of 6, to friends, to family, and to all those helpful people who gave Kate and I feedback, advice, and critiques. When I was packing up to leave Peoria, I had 30. By the time I left Illinois, I’d sold 5, which left me with 25. On my way home to Nebraska, I passed through Iowa to visit family, friends, and do a little research on family lore in Centerville and Winterset. By the time I left Iowa, I’d sold 5 more, which left me with 20. How cool is that? If you want one, let me know. If you’re local, I’ll deliver it to your door. Really. I will.

There are two more reviews of BRANDING GIRLS on Amazon. Thank you kind and insightful readers!

And – this just in -  my poem “Ten-Speed” will be the poem for July in the 2012 Nebraska Poets Calender by Black Star Press. How exciting is that? I find myself making “calender girl” and “Miss July” jokes when I tell anyone. Silly. Silly. But truly, I think, I’ve always wanted to be in a calender. *sigh* No one ever told me it was possible by writing poems. Here I thought women had to show a little skin to be in a calender. Does my poem, you ask, show skin? No. It’s about bicycling, my favorite mode of transportation, recreation, and way to achieve speed. It looks like BSP is still looking for art. Hey, Nebraska artists, check it out.

At the Prairie Center of the Arts for my six weeks summer residency, one of my succors was to read, much as research, some as pleasure and fun, and occasionally as inspiration. Here they are, organized by genre:

Novels & Creative Nonfiction:

• Lisa See‘s Dreams of Joy
• Deborah Harkness’ A Discovery of Witches
• Geraldine Brooks‘ Caleb’s Crossing
• Jodi Picoult’s Perfect Match
• Anna Quindlen‘s Good Dog Stay and Being Perfect
• Jennifer Egan’s A Visit from the Goon Squad
• Sara Gruen’s Ape House

As for research, I read hundreds of newspaper articles written by or about Matilda Fletcher, a ream of paper concerning family lore, photographs, and genealogical discoveries, a short stack of analytical texts, and the frequent google search when I needed to double-check something. For example, I discovered the meaning of the word shivaree.

As for poetry, I read an assortment of collections that included Margaret Gibson‘s Memories of the Future: The Daybooks of Tina Modotti, Jen Kindbom’s chapbook A Note on the Door, and several current issues of literary journals like Poet Lore and the inaugural issue of Haven.

I think I swam in words this summer.

After a late night marathon we returned to the lab the next morning a little before 10am and printed continuously until we finished.

During which time, we befriended the PCA cats, Sally, a tabby, and Jack, a black and white cat.

We signed and numbered the series. Our press run total was 60 prints, with 12 of each of the 5 broadsides. We finished almost six hours later at 3:30pm.

Kate and I had a great time collaboration on our broadsides, with lots of great help and feedback from Michele, Joe, Erin Zellefrow, Adam, Wendy, Rachel, the PCA cats! A big thanks to all of you!

Write and submit a proposal to use PCA’s digital lab.

Select a printer. Our choice: the Epson Stylus Pro 4800 large format printer.

Read the printer manual and internet to consult for best paper for our project. Order paper. Our choice: Epson’s Ultra Premium Presentation Paper Matte, 11.7″ x 16.5″, 50 sheets.

Wait 2 days shipping (actually it took 6 days, because it was the weekend).

Meet at The Facility in the digital lab.

That’s where we were yesterday at 3pm, where we spent a couple of hours getting the printer up and going. We did four test prints to get the color, orientation, and sizing the way we wanted it.

At 6pm we began officially printing. There are five broadsides in our project. To print one run of the five took about an hour, assuming there were no mishaps, printer errors, paper outages, or other miscellany that might delay the process.

Thereafter, with the occasional troubleshooting, we had pizza, drank coffee, and printed the first half of the press run.

We stayed until 1am printing.

For Kate’s process, check out her PCA interview and her recent blogging. For my process check out my PCA interview. I can also say there have been many edits, revisions, rewrites, new poems, new starts, and many wonderful, kind, and insightful comments and suggestions from PCA staff, friends, and family. Finally the design process is most easily demonstrated by visuals. After the art and poems were paired, we set out for a general design by Adam Wagler and arrived with this:

After several of our own suggestions, a critique or two, a couple rewrites, a new poem, several color changes, and six proofs later we have this:

There are one or two teeny things to change, but otherwise, I think they are finally perfect!

What will they look like when they’re done? You’ll have to stay tuned to find out what happens next.

Where are you from?

I am from Minneapolis, Minnesota.

Where are you at in your career?

I am at an exciting point of growth in my career. In the past two years I have increased my national exhibition presence, and have been featured in some great press articles. I was honorable mention at the Arrowhead Biennial at the Duluth Art Institute, and was also a contest winner for the First Annual “Interviewed” Contest with Local Artist Interviews, a collection of interviews of Minnesota based artists.

You can read my interview here: http://www.local-artist-interviews.com/2011/04/kate-johnson-painter.html

Currently, I am serving a three year board position at Altered Esthetics, a non-profit gallery in Northeast Minneapolis. I am the first Director of Solo Exhibitions, a program I designed myself. I manage and teach a group of emerging artists career development topics, as well as help them implement a solo exhibition.

So in my career, I have a nice balance between practicing as a professional artist, and working in the arts administration and program development aspects of galleries.

What made you want to apply to Prairie Center for the Art’s Residency Program?

I began researching residencies this past spring. I did not know exactly where to start, so I looked for places in the Midwest and came across Prairie Center. I applied here, due to the fact that it was the only program where I could have a residency this summer. Many of the other programs were for next year already. I figured I would apply and see what happens. I was so excited and grateful to be accepted because this is my first residency and has truly been a unique experience.

What is your length of residency?

Six weeks! I am here from July 1^st until August 12^th

What are you working on during this residency?

I am focusing on building my portfolio and implementing more professional business practices into my career. I have created 46 individual new works. I am currently working with new materials as well. I am concerned with producing high quality pieces with archival materials, so I have been experimenting with new boards to paint on and a new brand of paint. I have also begun to explore adding gloss mediums to certain locations of my paintings, which have yielded a new look to my style.

I typically have been making 30” X40” sized pieces, but have expanded my range. I have begun to focus on smaller pieces, as well as much larger series of works. I have created three separate large scale series while I have been here. The large studio space I am working in is perfect for making multiple related works. I recently finished a four painting series based on the childhood game Hungry Hungry Hippos, and this week I am finishing up a six painting series based on the Disney Princesses. What is unique about the Disney Princess is that it’s the first few paintings where I have begun to paint people into my style. It is something I hope to continue to explore and work with.

In the business aspect of my art career, I have compiled an inventory, archived professional press, and organized my exhibitions history. I have updated my resume, bio and artist statement as well. But my big project is working on a business plan. It’s a new endeavor and something I am teaching myself. It’s a very thoughtful and involved project. I’ve made lots of discoveries and have had to be honest with myself during this process. Having it will help keep me you on a solid career track.

What is the best part about this residency?

The people here are great. I have had a wonderful time working along side two other artists, Lauren Scanlon and Allison Lacher. They have given me great feedback, advice, and critique while I have been here.

What are you doing after you leave Prairie Center?

I am going to head back to Minnesota. As I mentioned before, I have a gallery board position to attend to. In my free time I also study the Swedish language and volunteer as a Museum Receptionist at the American Swedish Institute. I hope that my enthusiasm and production of art maintains momentum as I switch studio spaces.

Tell me about your creative process and work habits as a professional?

When I first got to Prairie Center I tried to get to the studio early and start working right away, but as much as I try to fight it, my creative cycle is a night. I begin to get into focused work mode around 4pm. So, I usually get to the studio around 11am and leave around 1 in the morning. I have been working a minimum of twelve hour days every single day I have been here.

Typically, I like to see the painting in my head before I create it, although it always looks different, and better, when I actually make the piece. I begin with painting the entire background. Depending on the color of paint, this can take 2-4 coats of paint. Oftentimes, I am preparing backgrounds a few days before I plan to paint a subject. Next, I will either enlarge a drawing I already have or freehand draw on the surface. I fill in color until the painting is complete. Then, I outline the pieces in thick bold outlines. Most people are intrigued by my process and when the black lines appear. But they are last, and it’s actually marker and not paint, which many do not notice. The marker is India ink pens which creates this nice dark yet controlled line.

I tend to focus on character development. I enjoy the process of building a character, its personality, color scheme and way by which it interacts with the viewer. I also focus on color theory, gender representation and symbolism in my pieces. I have always enjoyed creative writing, and find that this passion is illuminated through my sarcastic, conversational, witty, and comical titles. I tend to build work by designing anthropomorphic objects, food and animals, but also draw inspiration from graffiti, street art, Pop and Lowbrow art, graphic design, and themes and objects from my childhood.

Do you have any advice for future residents who are considering residencies?

When I learned I was accepted as a resident at Prairie Center, I began to research things to pack and consider when going to a residency. However, I failed to find anything helpful. This August I will be posting a blog entry focused on this topic including a basic packing list to help future artists prepare for a residency. Here are a few highlighted tips that I would like to share:

• When you arrive, head to a visitor center to get maps and guides of the local area. Research places to go to while you are there before you get to your residency and create a schedule for yourself.

• What does your residency provide you with food, housing, a stipend? Who pays for the travel costs, material costs, equipment fees, residency fees?

• Make sure you are educated on the expectations of your residency. Many expect artist to participate in public exhibitions, lectures, slide talks, art work donation, studio tours and more.

• Create an art/residency schedule. How much work do you want to create, what projects are you going to focus on? Make sure you have time to be creatively inspired too! But do not plan out every second of your residency, this is a time to learn and grow.

• Keep a journal! Written, visual, or digital (or all three) record your residency experience.

Where can we look at more of your work and keep in contact with you?

Website: www.katerjohnson.com

Blog: http://thesuctioncup.blogspot.com

Facebook Page: https://www.facebook.com/KateJohnsonsArt