PCA Broadside Collaboration: Part 2

Now for part 2 of the PCA broadside collaboration: Kate Johnson and I have been collaborating on a series of broadsides that combine poetry and graphic art printed at the Prairie Center of the Art‘s digital lab. Once we had the pieces created, revised, designed, and proofed, we had to do the following:

Write and submit a proposal to use PCA’s digital lab.

Select a printer. Our choice: the Epson Stylus Pro 4800 large format printer.

Read the printer manual and internet to consult for best paper for our project. Order paper. Our choice: Epson’s Ultra Premium Presentation Paper Matte, 11.7″ x 16.5″, 50 sheets.

Wait 2 days shipping (actually it took 6 days, because it was the weekend).

Meet at The Facility in the digital lab.

That’s where we were yesterday at 3pm, where we spent a couple of hours getting the printer up and going. We did four test prints to get the color, orientation, and sizing the way we wanted it.

At 6pm we began officially printing. There are five broadsides in our project. To print one run of the five took about an hour, assuming there were no mishaps, printer errors, paper outages, or other miscellany that might delay the process.

Thereafter, with the occasional troubleshooting, we had pizza, drank coffee, and printed the first half of the press run.

We stayed until 1am printing.

PCA Broadside Collaboration: Part 1

For two weeks now, Kate Johnson and I have been collaborating on a series of broadsides that combine poetry and graphic art. We have created a short sequence that explore through words and imagery the fantastical machinations of Martians and the legends and myths of bigfoot and yeti, mixed with equal parts of the ordinary world of family holidays, housekeeping, domesticity, and the natural landscape. Next week, at the Prairie Center of the Art‘s digital lab we’re printing a limited edition print-run of the series. Yeah! This is so super exciting!

For Kate’s process, check out her PCA interview and her recent blogging. For my process check out my PCA interview. I can also say there have been many edits, revisions, rewrites, new poems, new starts, and many wonderful, kind, and insightful comments and suggestions from PCA staff, friends, and family. Finally the design process is most easily demonstrated by visuals. After the art and poems were paired, we set out for a general design by Adam Wagler and arrived with this:

After several of our own suggestions, a critique or two, a couple rewrites, a new poem, several color changes, and six proofs later we have this:

There are one or two teeny things to change, but otherwise, I think they are finally perfect!

What will they look like when they’re done? You’ll have to stay tuned to find out what happens next.

news

In brief news, I have two Matilda Fletcher poems in Generations of Poetry, the Lincoln Journal Stars lists UNL graduates of May 2011 (it’s a long list, as one might imagine, you can search *control F* for grads by name, though), there’s a couple of great reviews of the anthology Knocking on the Door that I have a poem in, the forthcoming anthology Dispatches from the Classroom which includes an essay of mine and is set to release around turkey day this year now has it’s own page on the Continuum Press website, there are a few more amazon reviews of BRANDING GIRLS up, and I’m working on getting the “look inside” tool set up on amazon.com, as well as a kindle version available for purchase. As a quick side note, while traveling to Russia and spending so much time in airports and on airplanes, I could not even count how many kindles or other digital book readers I saw people reading. Buckets and buckets of them! But really, wouldn’t such a device be perfect for traveling?

And finally, a last clip from my reading at Indigo Bridge Books last month, this one, with a brief recitation of an Anne Sexton poem.

 

Indigo Bridge Books Reading

Mid-May, I gave a reading at Indigo Bridge Books here in Lincoln from BRANDING GIRLS. There was a great turn out and I was so pleased to see friends and colleagues in the fantastic local bookstore/coffee shop. And, new for me, I gave the reading with a powerpoint to allow me to couple the poems to the images to which the poems respond. I’ve posted some of the reading to youtube and I’ll post a few here. The image in this first poem responds to work by Lauren Greenfield.

news

I have new poems in the current issues of Poet Lore, Generations of Poetry, and Compass Rose, the latter two are in the Matilda Fletcher series.

I’ve got a mention on the graduate student blog at NDSU, where I presented poems from my dissertation over earlier this spring.

As of today, there are five more wonderful reviews on Amazon of Branding Girls. Yeah! I’ve posted one video (so far) of a reading from Branding Girls on the author Amazon page, but there are several more on YouTube.

Indigo Bridge Books has announced my reading on their events page for Monday May 16th at 7pm. I’m very much looking forward to reading there!

a reading, a fellowship, and a publication or two

This past Saturday, April 9 at 9 a.m., I read from my dissertation at the Rawley Conference. Dr. Jeannette Jones was the commenter for my panel. She gave me the best critical reading of and offered the most astute questions for my work on the suffragist, lecturer, and poet, Matilda Fletcher, that I’ve yet to have at a conference. It was so nice to be asked such smart questions from such a great scholar. Wow. Thanks, Dr. Jones!

Upcoming reading-wise, I’ve been awarded the Susan Atefact Peckham Fellowship in poetry for UNL. Yeah! There’s an award reading in Bailey Library (228 Andrews Hall) on April 27 from 3-4 p.m. I’ll be reading more on Matilda Fletcher. The award ceremony is April 29 at 3 p.m. I hope you’ll be there!

Finally, I have a poem in the current issue of Blue Collar Review and a poem in the anthology Knocking at the Door, edited by Lisa Sisler and Lea C. Deschenes (Birch Bench Press, 2011).

Whoever said April was the cruelest month? That guy, something Prufrock, he’s wrong.