A local reading & January news

Earlier this month, I submitted poems to the UNL Amensty’s Demand Dignity poetry and lyrics contest. I was among the top five finalist! Yay! They’ve invited me to read at their benefit concert this Saturday.

Reading (poetry) in UNL Amnesty’s Demand Dignity benefit concert
8:00 p.m., Saturday, January 28, 2012
Meadowlark Coffee & Espresso, 1624 South St., Lincoln, NE 68502

I hope to see you there!

In other contest and award news, forthcoming in my chapbook THE PUPPET WIFE, my piece “Pantomime: A Tragedy” was selected for the 2011 “Best of Spittoon” award, which includes an actual spittoon. I get a spittoon. They’re going to send me a spittoon. How cool is that? My father had a few spittoons around the house when I was a kid and I always thought they were kind of neat and a little bit sinister. I’m very excited to get my own.

In other news, I’m up in UNL’s January newsletter. I have poems in the current issues of Miller’s Pond, in the anthology Sunrise from Blue Thunder, the anthology Flashlight Memories (now available in ebook), and forthcoming in ABZ and The Adroit Journal.

Bloggers over in The Modcloth Blog discussed their love of chapbooks and posted this lovely picture of recent chaps they’ve been reading.

I’m delighted to see my little chapbook MY IMAGINARY in the bottom left hand corner.

Finally, late last year I created a BRANDING GIRLS giveaway on Goodreads.

 

Goodreads Book Giveaway

Branding Girls by Laura Madeline Wiseman

Branding Girls

by Laura Madeline Wiseman

Giveaway ends March 11, 2012.

See the giveaway details
at Goodreads.

Enter to win


What is the coolest, craziest, and most unbelievable thing is the number of people who have entered to win. As of right now as I’m typing this blog post, there are 203 people requesting a copy of BRANDING GIRLS. 203! My press run was only 250. I’m very sure I’ve sold 47+ copies. I don’t think there are 203 copies available. The contest ends in March, but it’s 203 and counting. Amazing.

new blurb for chapbook

Yippee! I’ve just received a blurb for my forthcoming chapbook THE PUPPET WIFE from Pudding House Publications. When I was first began submitting to chapbook presses, I loved applying to contests that offered all entrants a copy of the winning book. I read so many wonderful poets–new and established–that way and learned a lot about what makes a good chapbook of poetry. It was so fun to discover in the mailbox a little gift of poetry, someone’s work packaged in lines, saddle-stitched or bound, and decorated with a lovely cover design or art, and to see where that poet had been published before, where they studied, and who blurbed their book. That was how I first discovered the wonderful, quirky, playful poetry of Kristin Abraham with her delightful chapbook Little Red Riding Hood Missed the Bus. It arrived in my mailbox, perfect bound with a clean, sharp cover design, and filled with stunning poetry. Recently, I’ve also read her other collection Oranges Reminds You of Listening and wrote a little  mini-review of it on Amazon and Goodreads. This past year, she’s been editing Spittoon, a fantastic literary journal new in 2011, the content of which I find to be edgy and brilliant.

Here’s Kristin:

In The Puppet Wife, Laura Madeline Wiseman skillfully and subtly traces the strings that tie, the ties that bind, the knots and tangles, between language and line, man and woman, fish and fisher, poem and reader. These poems lay bare a lyric hope and tense, mutable codependence among “the guy with the strings,” “the guy [who] is the strings” and the guy who is “made of strings.”  Intricately woven from beginning to end, The Puppet Wife is a provocative, unsettling delight to read.

Yay! Thanks, Kristin!

The Puppet Wife Blurb

Yay! I’ve just received a blurb for THE PUPPET WIFE, my new chapbook forthcoming from Pudding House Publications. Mary K. Stillwell is such a wonderful poet. I had the opportunity to read with her a few times times at Poetry at the Moon and to promote the Black Star Press 2012 Poets Calender. While I was a grad student, she was my classmate in Hilda Raz’s poetry workshop. She’s one of the editors of Nebraska Presence: An Anthology of Poetry. She’s also  working on a forthcoming book about Ted Kooser. Here’s Mary K.:

Laura Madeline Wiseman’s latest chapbook of poems, The Puppet Wife, draws the reader into a mesmerizing and sometimes haunting world, a puppet’s stage where fear lurks in shadowy corners. Eerily familiar objects—strings, fish lines, ropes, scarves ribbons, fish hooks, door hooks, knots, and fasteners—are transformed as the girl who never speaks becomes a woman. With courage and with hope, Wiseman redefines and articulates what it means to live and love authentically.

Thanks!

new chapbook blurb

I’ve just received a blurb for my forthcoming chapbook SHE WHO LOVES HER FATHER (Dancing Girl Press, 2012). I met James Cihlar when he  visited and gave a local reading of his book Undoing a couple of years ago. Because I was a grad student, he was offering manuscript advice and I met with him individually to discuss poetry and creative nonfiction. I really appreciated his comments and his sharp eye. I taught his book that semester in my poetry class and I’ve taught his poem series “What My ____ Used” from Undoing in subsequent poetry classes. I’m a big fan of the craft and voice in Undoing. I’ve just ordered his chapbook Metaphysical Bailout (Pudding House Publications, 2010). I can’t wait to read it. He’s such a smart poet.

Here’s Jim:

She Who Loves Her Father is poetic archaeology, a careful search for “that thing // so unheard of, the source of the Nile / or the answer the sphinx longs for.” Laura Madeline Wiseman’s poems find Eve (without Adam) making tea in a kitchen, Isis in the shape of a housecat, and sphinxes “nestled among the trees” who “lope toward homes made of rock.” Wiseman’s poems are cryptic in the etymological sense of crypts—they are odes to both containers and the things contained: family and daughter, stomach and food, womb and fetus. In the operation of these poems, sutures both bind and burst, bandages protect and consume. Screams turn into whispers and a dead language comes back to life in this book of riddles, where opposites swap places: “I want it to be yesterday. Then, I can mourn properly, twist it inside my mind to see how it was to me now. But I’ve got to get gone first.”

Thanks, Jim!

The Puppet Wife, blurb #1

Yay! I’ve just received the first blurb for THE PUPPET WIFE forthcoming from Pudding House Publications. Andrena Zawinski is the author of Something About, published by Blue Light Press. I’ve been reading Andrena’s poems everywhere, including in this summer’s issue of Blue Collar Review. As a sneak peek, she’s one of the contributors for the anthology I’m editing. Here’s Andrena:

Laura Madeline Wiseman’s The Puppet Wife crosses boundaries–the poet is both puppet and puppeteer on the stage “twitching, twisting, and jigging” where memory, identity, resiliency, and hope perform in a theater more than “cardboard and paper,/ with a red velvet curtain that opens/ and closes with a long whiffle.” Inside these poems the reader resides in a theater of loving and living, in a language that is inventive and smart and fresh.

Thanks! Yay!

2012 Nebraska Poets Calendar

I read Sunday afternoon at the great space of Noyes Gallery, the reading and art show for Black Star Press’s 2012 Nebraska Poets Calender. First the clip of my little poem “Ten-Speed” that I wrote about my hand-me-down orange huffy olympia bicycle that I biked on all through high school and college.

The poets also gave readings of other work. I read “Promise” and “Bundling,” from the broadside collaboration, and now collected in THE PUPPET WIFE, forthcoming from Pudding House.

It was a such an amazing place! And poets are so appreciative of other poets’ work. Yay!

 

She Who Loves Her Father blurb #2

Way back in 2006 and 2007 when I was a newbie doctoral student, I attended several of the Clean-Part Reading Series poetry readings that were, at that time, held in the auditorium of the Sheldon Art Museum. It was there that I first heard Julia Cohen read. The Sheldon was a wonderful place to hear poetry–good ambiance, cushy seats, ambient lighting, and art displayed in the gallery and hall just outside the auditorium. I’ve just finished The History of a Lake Never Drowns (Dancing Girl Press, 2009) and her co-authored collection Samaritan (Dancing Girl Press, 2011). Her stuff is cool and the cover art she chooses is delightful. She’s written me a lovely, little blurb for my new collection SHE WHO LOVES HER FATHER forthcoming from Dancing Girl Press next year. Here’s Julia:

To read Wiseman’s collection is to live inside an echo, a series of glances that won’t let you go. Wiseman evokes a landscape of attentive and intimate arrivals. These revealing poems ask us to consider why we drift and how we recognize the anchor in each other.

Thanks, Julia!