CFP BARED anthology on bras and breasts, deadline September 18, 2015

Forthcoming from Les Femmes Folles Books, Bared seeks art and poetry on bras and breasts by women writers and women artists. Poets and artists bare their best breasts clad in bras, bare-chested, or both to boast their barbaric yawps in poems, in paint, in pictures, and art. Bared features artful couplings and dynamic duos, and is double trouble, double the fun, and sometimes in double Ds.

Bared explores the gendered narratives that clothe the body. Considering gender subversion in poetry to critique the traditional male gaze, theories on the gendered body, and feminist reflections on the love/hate relationship women have with fashion and the body, the poets and artists collected in Bared resist narratives on the female body by boldly presenting alternatives. The critical introduction draws on feminist scholarship and poetics of resistance and disobedience to consider how objects that adorn us tell stories about the gendered body and how work across artistic genres offers strategic moments of resistance. Bared presents one hundred poets and artists, including the artists Lee Child, Lauren Reinaldi, Maria Raquel Cochez, Amy Kollar Anderson, Bonnie Gloris, Janet Decker Yanez, and the poets Denise Duhamel, Maureen Seaton, Nin Andrews, Alison Luterman, Jehanne Dubrow, Diane Lockward, Alicia Ostriker, Ellen Bass, and many, many more.

Poetry Submission:

New, unpublished poetry is preferred. Submit 3-5 unpublished poems along with a 50-100 word bio in the body of the email or as a doc to <lesfemmesfollesbooks(at)gmail.com> (replace (at) with @ in sending e-mail) with “Bared Submission” in the subject line. This is the preferred submission. Please also include in your submission a list of your favorite poems and art about bras and breasts by women.

Or: The anthology will accept previously published poems, as long as the author retains the rights to the work or that it can be reprinted at no cost other than acknowledgement to the original source. Submit 3-5 previously published poems along with a 50-100 word bio in the body of the email or as a doc to <lesfemmesfollesbooks(at)gmail.com> (replace (at) with @ in sending e-mail) with “Bared Submission” in the subject line. For this submission, please also include the following: 1) the title of your poem; 2) the name of the book, journal, or anthology where it originally appeared; 3) the name of the press or journal who published it; 4) the year or issue it was published. Please double check to make sure that you as the author retain the rights to this poem(s) or that it can be reprinted at no cost other than acknowledgement to the original source. Please also include a list of your favorite poems and art about bras and breasts by women.

Art Submission:

Submit 3-5 images as a .jpg labeled with your last name and title along with a 50-100 word bio written in the third person in the body of the email to <lesfemmesfollesbooks(at)gmail.com> (replace (at) with @ in sending e-mail) with “Bared Submission” in the subject line. Please include an art information sheet. Please also include a list of your favorite poems and art about bras and breasts by women.

All contributors will receive a copy of the anthology as well as a discount to purchase additional copies. Deadline for submissions is September 18, 2015. Exhibitions, readings, and events are already in the works.

Women Write Resistance reading at the Indiana Writers’ Consortium’s 2014 Creative Writing Conference and Book Fair

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Women Write Resistance Poets read at IWC

Reading of Women Write Resistance
with Shevaun Brannigan, Sara Henning, Laura Madeline Wiseman, Larissa Shmailo, Jill Khoury, Meg Day, & Mary Stone Dockery
Indiana Writers’ Consortium’s 2014 Creative Writing Conference and Book Fair
4:00-5:10 PM, Saturday, October 11, 2014
Salon A, Hilton Garden Inn, 7775 Mississippi Street
Merrillville, Indiana

Women Write Resistance: Poets Resist Violence (Hyacinth Girl Press, 2013), edited by Laura Madeline Wiseman, views poetry as a transformative art. By deploying techniques to challenge narratives about violence against women and making alternatives to that violence visible.  Poetry of resistance distinguishes itself by a persuasive rhetoric that asks readers to act. The anthology’s stance believes poetry can compel action using both rhetoric and poetic techniques to motivate readers. In their deployment of these techniques, poets of resistance claim the power to name and talk about gender violence in and on their own terms. Indeed, these poets resist for change by revising justice and framing poetry as action. This IWC Conference reading will include an introduction by the editor and feature Women Write Resistance poets who will read their poems and others from Women Write Resistance.

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The featured Women Write Resistance poets

“When you sit down to write a poem, I think you’re making a really brave and bold statement that is at once insistent upon your own existence and also wildly generous in the sacrificing of that existence to the possibility of a reader. To be a person—to insist on personhood—is a right we see refused to the majority of the people in this country (and other countries, with our country’s help) on a daily basis, even when we aren’t hearing about it on the news or social media.” – Meg Day, Blotterature

Meg Day, selected for Best New Poets of 2013, is a 2013 recipient of an NEA Fellowship in Poetry and the author of Last Psalm at Sea Level, winner of the Barrow Street Press Poetry Prize (forthcoming 2014), When All You Have Is a Hammer (winner of the 2012 Gertrude Press Chapbook Contest) and We Can’t Read This (winner of the 2013 Gazing Grain Chapbook Contest). A 2012 AWP Intro Journals Award Winner, she has also received awards and fellowships from the Lambda Literary Foundation, Hedgebrook, Squaw Valley Writers, the Taft-Nicholson Center for Environmental Humanities, and the International Queer Arts Festival. Meg is currently a PhD candidate, Steffensen-Cannon Fellow, & Point Foundation Scholar in Poetry & Disability Poetics at the University of Utah. www.megday.com

“I also do not think of poems or poets as static—just because someone writes poetry, does not mean they cannot be an activist. In fact, poetry, which is a vital form of connecting with others, may predispose someone to be more in tune with the world’s injustices.” – Shevaun Brannigan, Blotterature

Shevaun Brannigan is a graduate of the Bennington Writing Seminars, as well as The Jimenez-Porter Writers’ House at The University of Maryland. She has had poems appear in such journals as Best New Poets 2012, Lumina, Rhino, Court Green, and Free State Review. She has been an Arts & Letters Poetry Prize finalist, received an honorable mention in So to Speak’s 2012 Poetry Contest, as well as a Pushcart nomination by Rattle.

“Sometimes, the attempt at truth is all that one can muster, and that is its own truth.” – Sara Henning, The Conversant

Sara Henning is the author of A Sweeter Water (Lavender Ink, 2013)as well as a chapbook, To Speak of Dahlias (Finishing Line Press, 2012).  Her poetry, fiction, interviews and book reviews have appeared or are forthcoming in such journals as Willow Springs, Bombay Gin and the Crab Orchard Review.  Currently a doctoral student in English and Creative Writing at the University of South Dakota, she serves as Managing Editor for The South Dakota Review.

“Poetry has been revolutionary and transformative for me since I became interested in poetry.” – Jill Khoury, Blotterature

Jill Khoury earned her Masters of Fine Arts from The Ohio State University. She teaches writing and literature in high school, university, and enrichment environments. Her poems have appeared or are forthcoming in numerous journals, including Bone Bouquet, RHINO, Inter|rupture, and Stone Highway Review. She has been nominated for two Pushcart Prizes and a Best of the Net award. Her chapbook Borrowed Bodies was released from Pudding House Press. You can find her at jillkhoury.com.

“Poetry transformed me… into a powerful woman…Poetry continues to mold and shape my life by offering new possibilities each day.” – Larissa Shmailo, Blotterature

Larissa Shmailo is the editor of the anthology Twenty-first Century Russian Poetry, poetry editor for MadHat Annual, and founder of The Feminist Poets in Low-Cut Blouses. She translated Victory over the Sun for the Los Angeles County Museum of Art’s landmark restaging of the multimedia opera and has been a translator on the Bible in Russia for the American Bible Society. Her books of poetry are #specialcharacters (Unlikely Books), In Paran (BlazeVOX [books]), A Cure for Suicide (Červená Barva Press), and Fib Sequence (Argotist Ebooks); her poetry CDs are The No-Net World and Exorcism (SongCrew).

“There have been times in my life where poetry gave me all the answers about myself and about the world and about what it means to be a woman.” – Mary Stone Dockery, Blotterature

Mary Stone Dockery is the author of One Last Cigarette and Mythology of Touch, and two chapbooks, Blink Finch and Aching Buttons. Her poetry and prose have appeared in many fine journals, including Mid-American Review, Gargoyle, South Dakota Review, Arts & Letters.

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“As I wrote in the critical introduction to Women Write Resistance: Poets Resist Gender Violence, I believe poetry is power. Poetry is action.” – Laura Madeline Wiseman, Blotterature

Laura Madeline Wiseman is the author of more than a dozen books and chapbooks and the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013). Her recent books are American Galactic (Martian Lit Books, 2014), Some Fatal Effects of Curiosity and Disobedience (Lavender Ink, 2014), Queen of the Platform (Anaphora Literary Press, 2013), Sprung (San Francisco Bay Press, 2012), and the collaborative book Intimates and Fools (Les Femmes Folles Books, 2014) with artist Sally Deskins. Her work has appeared in Prairie Schooner, Margie, Mid-American Review, and Feminist Studies. www.lauramadelinewiseman.com

More recent interviews with poets from Women Write Resistance:

An Interview with Poets from Women Write Resistance: Poets Resist Gender Violence,” Blotterature, October 2014

“‘To make a new whole of the fragments’: A Roundtable Discussion with poets in Women Write Resistance,The Conversant, October 2014

“‘We invent the forms of resistance we wish to see‘: A Roundtable Discussion with Poets in Women Write Resistance,” Les Femmes FollesSeptember 2014

“Blot Lit Reviews: An Interview with Writers from Women Write Resistance: Poets Resist Gender Violence,Blotterature Literary Magazine, by Julie Demoff-Larson with Sarah Chavez, Tyler Mills, Jennifer Perrine, Carly Sachs, Monica Wendel, and Margo Taft Stever, May 2014, Part I & Part II

“‘their words make this possible‘: A Roundtable Discussion of Poetics of Emplacement with Poets from Women Write Resistance,” Spoon River Poetry Review, April 2014

Women Write Resistance: Poets to read at Purdue University Calumet

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Women Write Resistance: Poets to read at Purdue University Calumet Press Release

Women Write Resistance Poets Reading Event at Purdue University Calumet
with Sara Henning, Mary Stone Dockery,  Laura Madeline Wiseman, Larissa Shamilo, Sarah Chavez, & Rosemary Winslow
2200 173rd Street, Hammond, IN 46322
October 10, 2014 at 6:00 p.m.
Contact: Indiana Writers’ Consortium at 219-750-1200 ext. 203
indianawritersconsortium@gmail.com

Hammond, INSeptember 19, 2014— Indiana Writers’ Consortium, in conjunction with Purdue University Calumet’s Department of English and Philosophy and student organization First Friday Wordsmiths, are hosting six nationally known poets featured in the anthology Women Write Resistance: Poets Against Gender Violence. The six featured readers are: Laura Madeline Wiseman, Sara Henning, Mary Stone Dockery, Larissa Shamilo, Rosemary Winslow, and Sarah Chavez. The event, which is free of charge and open to the public, will take place in YJean Chambers Theater in the Student Union Library Building directly north of the 173rd Street parking lot. The reading will begin at 6:00 p.m. and there will be a book signing in the Founders’ Study after the reading. Free refreshments will also be available during the signing.

Indiana Writers’ Consortium inspires and builds a community of creative writers. We are the premier group in Northwest Indiana dedicated to educating writers from the ground up through speakers, seminars, and children’s programs. IWC provides educational and networking opportunities for writers in all stages of their careers. We also sponsor an annual children’s project, where we partner with local schools to bring poetry into the classroom. For more information please visit our website indianawritersconsortium.org or contact the IWC at 219-750-1200 ext. 203. The Indiana Writers’ Consortium is located at 5209 Hohman Ave., Hammond, IN 46320.

Featured poets from Women Write Resistance: Poets Resist Gender Violence

Sarah Chavez

“As much as possible, I try to allow my poetry to embrace and inhabit conflict and conflicting truths…” – Sarah Chavez, The Conversant

Sarah A. Chavez is a mestíza born and raised in the California Central Valley completing her PhD in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found in various publications such as Not Somewhere Else But Here: A Contemporary Anthology of Women and Place, the journals North American Review, The Fourth River, and others. Her chapbook All Day, Talking has just been released from dancing girl press.

“The knowledge expressed in poetry has infinite organizing power on a subconscious as well as conscious level.” – Larissa Shamilo, Blotterature

Larissa Shmailo is the editor of the anthology Twenty-first Century Russian Poetry, poetry editor for MadHat Annual, and founder of The Feminist Poets in Low-Cut Blouses. She translated Victory over the Sun for the Los Angeles County Museum of Art’s landmark restaging of the multimedia opera and has been a translator on the Bible in Russia for the American Bible Society. Her books of poetry are #specialcharacters (Unlikely Books), In Paran (BlazeVOX [books]), A Cure for Suicide (Červená Barva Press), and Fib Sequence (Argotist Ebooks); her poetry CDs are The No-Net World and Exorcism (SongCrew).

“Poetry taught me how to search for understanding, how to empathize, and how to define myself at different stages throughout my life.” – Mary Stone Dockery, Blotterature

Mary Stone Dockery is the author of One Last Cigarette and Mythology of Touch, and two chapbooks, Blink Finch and Aching Buttons. Her poetry and prose have appeared in many fine journals, including Mid-American Review, Gargoyle, South Dakota Review, Arts & Letters.

“Poetry is suffering, lovemaking, the body at its limits demanding to be heard. Poetry is also a place to exorcise cultural paradoxes.” – Sara Henning, Blotterature

Sara Henning is the author of A Sweeter Water (Lavender Ink, 2013)as well as a chapbook, To Speak of Dahlias (Finishing Line Press, 2012).  Her poetry, fiction, interviews and book reviews have appeared or are forthcoming in such journals as Willow Springs, Bombay Gin and the Crab Orchard Review.  Currently a doctoral student in English and Creative Writing at the University of South Dakota, she serves as Managing Editor for The South Dakota Review.

“Teaching a junior level course to majors from every discipline at the university last spring, I noted a sea change in greater understanding of the experiences of gendered cultural forces.  The evidence was most marked in responses to Adrienne Rich’s essay, “When We Dead Awaken.”  To my great surprise, and counter to my experiences of previous decades, students understood, with palpable compassion, the violence to the self as Rich considers having no place or voice for a female self.” – Rosemary Winslow, Spoon River Poetry Review

Rosemary Winslow lives in Washington, D.C., and teaches at The Catholic University of America. Her book Green Bodies expressed and grappled with the complexities of love in troubled families, and sought understanding, forgiveness, and compassion for the wide circle of humankind. She has taught in shelters for women, and now enjoys yoga, hiking, swimming, kayaking, and singing in a choir.

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“Early in college I was introduced to writers such as Adrienne Rich, Audre Lorde, and Sandra Cisneros. These writers and others allowed me to explore the rich world that poetry offered, to see how poetry was a work worth doing, and that art could be made from life, that such a writing life was possible.” – Laura Madeline Wiseman, Blotterature

Laura Madeline Wiseman is the author of more than a dozen books and chapbooks and the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013). Her recent books are American Galactic (Martian Lit Books, 2014), Some Fatal Effects of Curiosity and Disobedience (Lavender Ink, 2014), Queen of the Platform (Anaphora Literary Press, 2013), Sprung (San Francisco Bay Press, 2012), and the collaborative book Intimates and Fools (Les Femmes Folles Books, 2014) with artist Sally Deskins. Her work has appeared in Prairie Schooner, Margie, Mid-American Review, and Feminist Studies. www.lauramadelinewiseman.com

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More recent interviews with poets from Women Write Resistance:

An Interview with Poets from Women Write Resistance: Poets Resist Gender Violence,” Blotterature, October 2014

“‘To make a new whole of the fragments’: A Roundtable Discussion with poets in Women Write Resistance,The Conversant, October 2014

“‘We invent the forms of resistance we wish to see‘: A Roundtable Discussion with Poets in Women Write Resistance,” Les Femmes FollesSeptember 2014

“Blot Lit Reviews: An Interview with Writers from Women Write Resistance: Poets Resist Gender Violence,Blotterature Literary Magazine, by Julie Demoff-Larson with Sarah Chavez, Tyler Mills, Jennifer Perrine, Carly Sachs, Monica Wendel, and Margo Taft Stever, May 2014, Part I & Part II

“‘their words make this possible‘: A Roundtable Discussion of Poetics of Emplacement with Poets from Women Write Resistance,” Spoon River Poetry Review, April 2014

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